Fuck Granta… thanks, Granta

"If I was smart, I would have waited a few years and made an iPhone app: a little satirical story about how to write about Africa every day, interactive and adaptable, for ninety-nine cents. Fuck Granta… thanks, Granta." Binyavanga Wainaina

In 1962, as many African countries were gaining independence, Heinemann’s African Writer’s Series introduced some of Africa’s most important writers to the continent, and to the world. At the time, the idea of a series spanning the continent seemed reasonable: many countries were encountering the same phenomenon, at the same time.

Almost 50 years later, the media revolution combined with the ongoing flow of immigration has opened up a chapter in African writing. A new generation of African writers has arrived Over the past six years, partly through the efforts of publishing and literary networking through institutions like Kwani (www.kwani.org), Farafina (www.kachifo.com) and Chimurenga (www.chimurenga.co.za). In 2005 Granta published The View from Africa, featuring "fresh voices from Africa, in all their differences". In the same year Bard College created the Chinua Achebe Center for African Writers and Artists, "a world class institution that serves a new generation of African writers". The Orange Prize for Fiction was awarded in London 2007 to Chimamanda Ngozie Adichie's Half of a Yellow Sun, and the Caine Prize for African Writing has introduced new writers to agents and publishers. Writers like Chimamanda Adichie, Alain Mabanckou, Chris Abani, Petina Gapah, Marie Ndiaye and Seffi Ata are known and read in many African countries, in the African diaspora, and in Europe and America.